All Work and No Play

Apr. 25th, 2026 10:22 am
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As predicted, this entire week I've been buried in work and study, a stark contrast to the week prior, when I engaged in a myriad of artistic engagements. As part of my doctoral studies, I've powered my way through the University of Chicago's content on climate modelling. The professor, David Archer, understands the physics, the modelling, and even the trickier issues involved in translating one to the other, especially given the handful of uncertainties and modelling challenges at scales. His book, "Global Warming: Understanding the Forecast" is a worthwhile introduction to the subject. I have not yet decided what my major paper will be for this study; although I must mention that my paper "Energy Production Under The Paris Agreement: Options for Developing Pacific Island Countries" from the course "Global Energy and Climate Policy" has been accepted for The Intergovernmental Research and Policy Journal; I just have to clear up some formatting issues (one day, we'll all use Markdown).

One fortunate side of my work in supercomputing is the access to some particularly big iron, which might be useful in these situations. The University's own system, Spartan, has grown from being an innovative experimental system on a shoestring budget to become one of the world's top supercomputers. But another part of my role is working with the West Australian Pawsey Supercomputing Centre, home of Setonix, Australia's most powerful system (named after the quokka, you know). This week, we had a visitor from WA, from Pawsey, to discuss the system, and I was involved in wrangling a lecture theatre full of Spartan researchers to come along and hear about how to get access to this grander system. It was a bit of a highlight for the week, as I'm also organising a major project which includes a couple of major transitions which I strongly disagree with on a technical level, which I know will come back and bite us in the future. But I have long been an advocate of not letting work decisions upset me, and I am all too familiar with people acting as if technical limits are negotiable.

I rather suspect that next week is going to be a bit like the past week; the combination of full-time work and full-time study often means there are periods when my social life suffers quite a lot, and this is one of those times when the pointy end of multiple deadlines is looming. It is times like these that I feel a great deal of gratitude for the especially calm and studious Rookery I've built for myself, and for finding myself in a profession where extended periods of solitude are highly beneficial for output. I guess in the past people found themselves in a secluded hermitage; instead, I find myself in the midst of a vibrant city with the plentiful beauty of art and nature, and it takes some willpower to stay focused.

Search maintenance

Apr. 22nd, 2026 09:19 am
mark: A photo of Mark kneeling on top of the Taal Volcano in the Philippines. It was a long hike. (Default)
[staff profile] mark posting in [site community profile] dw_maintenance

Happy Wednesday!

I'm taking search offline sometime today to upgrade the server to a new instance type. It should be down for a day or so -- sorry for the inconvenience. If you're curious, the existing search machine is over 10 years old and was starting to accumulate a decade of cruft...!

Also, apparently these older machines cost more than twice what the newer ones cost, on top of being slower. Trying to save a bit of maintenance and cost, and hopefully a Wednesday is okay!

Edited: The other cool thing is that this also means that the search index will be effectively realtime afterwards... no more waiting a few minutes for the indexer to catch new content.

Reading Wednesday

Apr. 22nd, 2026 07:04 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: Nothing.

Currently reading: Here Where We Live Is Our Country by Molly Crabapple. This is a weirdly dense book—like, not in terms of content but in terms of typography where it turns out to be much longer than it looks. So it will take awhile and I'll no doubt have very scattered thoughts on it. I'm up to a weird point just before WWII where PiƂsudski has done a coup in Poland and provided some kind of respite for the Bund there, while Molly's great-great grandfather Sam is in the US, trying to make it as an artist. The revolution in Russia has almost immediately turned sour. The Zionist movement is ascendant in Eastern Europe but still looked on as profoundly unserious by the Bundist majority, who are like, "you're going to be farmers in the desert? Good luck with that and also fuck you." 

This is just such an important book, right now in our history with what was once the biggest current of socialist thought in Europe being whittled down to a few of us hobbyists in 2026. It's not just hereness, but a lineage that I think most Ashkenazi Jews are lacking, even ones like me who know a fair bit about the Bund. The majority of Jews in the West have accepted the Devil's bargain of whiteness: give up your culture for safety and assimilation into the power structure, sure celebrate your holidays but now you're part of the dominant culture. There have been times, watching the livestreamed genocide of Gaza, that I have thought, "well, can I just not be Jewish anymore? I want no part of it, I want to wash my hands of it, I cannot participate if this is what most of us feel is okay," but you can't, can you? I mean you can but not in any meaningful way that helps even a single person. It's better to have a history, to know why and how that history has been suppressed, not because of some nostalgia or historical LARPing but because of the whole "first as tragedy, then as farce" of it all.

Which is to say that this book is giving me a lot of feels. You should read it, probably.

Artistic Experiences

Apr. 18th, 2026 07:08 pm
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Since my return from China and, as a decidedly non-artistic introduction, a version of my post on visiting the Wuxi supercomputing centre has been published on the Wuxi city website. However, aside from that, my non-work, non-academic time has been almost entirely focused on artistic experiences this week, including one movie, two comedy shows, and three gallery visits. The movie was with Nitul to see "Project Hail Mary", a high-stakes alien-contact film with drama, feel-good vibes, and probably a lot of explanatory lore behind the scenes. It was quite good, but rather overrated. The following evening I spent with Robbie K., and we took the opportunity to go to Hamer Hall to see Daniel Sloss perform his latest show, "Bitter"; and he has good reasons for that sentiment. He certainly delivers insightful content with natural talent, creativity, and sincerity, and that's what makes him a great artist.

Nitul and I caught up again the following night for the opening night of German artist Julius von Bismarck presenting his multimedia and installation pieces with a climatological edge, "This is Not The Storm" partly sponsored by the Goethe-Institut. The place was packed to the rafters, but I did get to talk with my old uni friend and author, Claire Coleman, whom I hadn't seen in twenty years. Today I decided to go back to the exhibition, hoping for a quieter visit, only to discover the artist was giving an explanatory tour of their works. This time, I managed to get a pretty thorough conversation in about climatological issues, Antarctica, and Zurich, and, curiously, I foresee future collaborations.

Further, B is visiting from interstate and last night we went to the comedy festival show, "Nosferatu Looking For Love" at the Motley Wherehouse (reminds me of a place in Sydney I used to frequent), also meeting up with Erica, Chiara, and Susie. The show was delightfully corny, as expected, and there was plentiful engagement with the small audience. I honestly don't care for much comedy, but the two scales of events this week, Rhiannon McCall and Daniel Sloss, were both very enjoyable experiences. Today we caught up again, this time to visit the basement beneath the State Library and to see the current exhibit, Rebel Heart; the latter is certainly worthwhile.

It has all been quite an exciting week, and it furthers my considered assessment that artistry, screening out the lack of context, depends very much on the creativity, talent, and sincerity of the artist, with the latter, the ethical component, often quite overlooked. I would rather discuss this matter a lot more, but alas, I will have to leave that for another day. As others prepare themselves for the rest of the weekend, I have to cloister myself to catch up with various climatological research, which I have fallen behind a little. But that will certainly make the bulk of the next post.

L&O season 3: Episode 3

Apr. 17th, 2026 07:32 pm
sabotabby: two lisa frank style kittens with a zizek quote (trash can of ideology)
[personal profile] sabotabby
This one was good by Law & Order standards, in that while the dialogue and acting were quite bad* and I called the murderer almost immediately, it actually performed a socially useful function.

However, it deals with infanticide and I'm putting everything under a cut.

Uncertain Justice )

podcast friday

Apr. 17th, 2026 07:21 am
sabotabby: (gaudeamus)
[personal profile] sabotabby
 IT'S PODCAST FRIDAY EVERYONE go listen to Wizards & Spaceships' season 2 finale, "In Praise of Difficult Women ft. Silvia Moreno-Garcia"! It's largely about SFF's Skyler White problem, i.e., why are men allowed to be difficult, unlikeable, or deeply problematic and non-villainous women basically aren't. Basically, an excuse to listen to a multi-genre genius hold forth on her opinions for about an hour. She's so cool. Holy shit.

L&O season 3: Episode 2

Apr. 16th, 2026 08:14 pm
sabotabby: two lisa frank style kittens with a zizek quote (trash can of ideology)
[personal profile] sabotabby
This one's about crypto, which admittedly makes my eyes glaze over even though it's really important. It's just that I know enough about economics to know that all money is fake, but crypto is especially fake, and really has all the downsides of money without the advantages of money. Also everyone involved is an asshole, much more so than is depicted in this episode. It's based largely on Andean Medjedovic (and good job casting someone who looks a great deal like him) and the many attempts to find the real Satoshi Nakamoto.

Warning that this episode discusses autism in ways that are fucked up and shitty.

WAGMI )

L&O season 3: Episode 1

Apr. 15th, 2026 07:37 pm
sabotabby: two lisa frank style kittens with a zizek quote (trash can of ideology)
[personal profile] sabotabby
HEY PALS I'm back with more trashy copaganda from Canada, oh yes it is the return of Law & Order Criminal Intent: Toronto.

Skin Deep )

Reading Wednesday

Apr. 15th, 2026 07:07 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: The River Has Roots by Amal El-Mohtar. This one has been on my list forever just because of the author, so I never looked up what it was about or anything like that. If I had, I'd have read it sooner. It's a queer feminist retelling of "The Two Sisters"/"The Twa Sisters," a.k.a. Loreena McKennitt's "The Bonny Swans," which I loved as a teenage goth and still love as an adult goth. It's so immersive in its writing that I somehow failed to connect there being two daughters with one suitor, a miller with a daughter, a river, a land dispute, and a harper until about halfway through when the realization hit that El-Mohtar is at least goth-adjacent and approximately my age lol. 

Anyway, it's about Esther and Ysabel, two sisters whose family owns a willow grove (willow being used for "grammar," a.k.a. magic) downstream from Faerie. Esther is being courted by the village incel but is in love with Rin, a shapeshifting Fae who plays the harp and has become enchanted by Esther's singing. Esther would kill or die for her younger sister, and the bond between them is gorgeously written.

Tangentially, "The Bonny Swans" always confused me as a kid because it's stitched together from a bunch of versions of the story, so the father is a farmer in the first verse but the king in the last, and it's unclear whether what the miller's daughter pulls from the river is a swan or a woman, and the novella actually goes a fair way to resolving some of these contradictions. But I also noticed that this is low-key a trans narrative, because in the first verse the farmer has "daughters, one two three," and in the last verse there's no middle daughter, but there's a brother named Hugh. This particular story just leaves out the middle child but there's a free plot idea for you if you want one.

Sour Cherry by Natalia Theodoridou. Apparently feminist fairy tale retellings is the Nebula theme this year. This is Bluebeard; a modern day woman telling a story to her son about his father, flashing back to a dreamy narrative about a man who curses the land wherever he goes. It's haunting and poetic and unflinching in its depiction of not just domestic abuse but why women stay in abusive relationships. I thought it dragged at the end but was so well-written that I'd absolutely recommend it.

Currently reading: Here Where We Live Is Our Country by Molly Crabapple. I just started this last night after pre-ordering it the second I knew of its existence. It's a detailed, illustrated history of the Jewish Bund and the concept of "doikayt," or hereness, the formation of Jewish identity in the diaspora. Obviously this is very relevant and very up my alley and this is the right person to tell the story.

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